Field Guides / Positioning
Ask them, and record it. The ASK framework is three to five short recorded conversations with clients who already value you, five questions each, run to capture the words they use about their own problem. Sort those words into triggers, frustrations, outcomes and feelings, and they become your offer, your website copy, your outreach and your proposals.
Most video business owners write their marketing in production language, because that's the language they think in. Buyers don't. They think about the problem in front of them, in their own words, with their own stakes attached.
Most video production websites and LinkedIn profiles are about the filmmaker: their passions, their style, what they like. We do this, we do that, "we" all over everything.
That gap in vocabulary costs sales. The website says "cinematic storytelling and end-to-end production". The buyer was looking for someone who would take the whole thing off their plate before the annual conference. Both want the same outcome and neither can see it.
The ASK framework closes the gap by taking dictation: you stop inventing copy and start quoting customers. It also puts you back in front of clients you may not have spoken to properly in months, with nothing to pitch.
The ASK framework runs in five steps: pick the clients, send the request, record the conversation, ask the five questions, then ask for a referral if it went well. Each conversation takes fifteen minutes, and the whole exercise about an hour and a half including the reading.
Copy and paste: the interview request email
Subject: [Name], can I ask you a favour?
Hi [name],
I'm doing a bit of work on how I describe what we do, and I'd rather hear it from the people who actually buy it than make it up myself.
Could I borrow fifteen minutes? Five questions, nothing to prepare, and I'd record it so I'm not scribbling notes while you're talking.
No agenda beyond that, and nothing I'm selling.
[Your name]
Copy and paste: the recording line and the five questions
At the start: "I'd like to record this so I capture the detail in your own words. It's only used for that. Thank you."
1. Cast your mind back to before we worked together. What was going on that made you start looking?
2. Think of a time you hired someone for something like this and didn't get what you wanted. Maybe it didn't go to plan, maybe something else happened, and it left you frustrated. Can you describe that?
3. What else did you consider, and why didn't you go that way?
4. What actually changed for you afterwards?
5. How did it feel working with us? What was the experience actually like?
One follow-up, used sparingly: "Can you say more about that?"
Question one gives you the trigger: listen for the thing that changed, such as a deadline, a new person in a role, a failure or a budget appearing. Question two produces the best copy in the whole exercise: concrete frustrations such as "the crew turned up on set looking a mess" or "nobody told us what was happening". Question three shows you the competition in the buyer's terms, which is often doing nothing, asking the intern or using last year's footage. On question four, push gently for specifics: what happened, who noticed, what it let them do next. Question five matters because people buy on feeling first and justify with logic afterwards. If that answer is thin, ask "What was different about it compared with the time you just described?"
Keep to fifteen minutes and let them do around seventy per cent of the talking. Don't correct how they remember things, because that's the version they repeat. Don't sell anything, and thank them afterwards with a note.
Turn ASK interviews into positioning by reading every transcript together in one sitting and pulling four lists in the buyer's exact words: triggers, frustrations, outcomes and feelings. Patterns only show up when you read them side by side.
Highlight every phrase worth keeping, export only the highlighted parts, and sort them.
| List | Comes from | What it becomes |
|---|---|---|
| Triggers | Question 1 | Who to approach, and when. The prospecting spec. |
| Frustrations | Question 2 | The lines your copy counters directly. Objection handling, proposal assumptions. |
| Outcomes | Questions 3 and 4 | The offer promise, the case studies, the proof section. |
| Feelings | Question 5 | Tone of voice, the differentiator, and the testimonials worth asking permission to use. |
Copy and paste: the ASK worksheet
Interviews run: [client, date] / [client, date] / [client, date]
Triggers (question 1, their exact words): "[phrase]" ([client])
Frustrations (question 2): "[phrase]" ([client])
Outcomes (questions 3 and 4): "[phrase]" ([client])
Feelings (question 5): "[phrase]" ([client])
Said by more than one client: "[phrase]"
Quotes to ask permission for: "[quote]" ([name, title, organisation])
Use their words, not better ones. The temptation to improve the phrasing is the same temptation that produced the generic copy in the first place. If three buyers independently said "we had nothing to sell the next one", that sentence goes on the website exactly as spoken.
If you only have one or two clients, interview several stakeholders inside one account. The marketing lead, the events lead, the partnerships lead and the executive sponsor all bought something different from the same work.
One member with a single major client, and two clients in twelve months, proposed exactly that: several short recorded calls with different people inside the one account. It supplies the buyer language for the offer, turns a single-contact account into a multi-contact one, and produces raw material for a case study he'd never written.
Here's the sorting done on a real interview I worked through in a course lesson. A member's production company ran video training workshops for a large corporate client and interviewed the client afterwards. These are the passages I highlighted.
| What the client said | List | Where it goes |
|---|---|---|
| A previous supplier's communication had lapsed, and they'd felt like a burden as a client | Frustrations | A line the copy counters, such as "We'll communicate consistently, so you'll know what to expect at every stage of production" |
| Building the confidence and knowledge of the team, so it spreads from them through the rest of the organisation | Outcomes | The promise on the workshop sales page |
| Friendly and thorough, an enjoyable day, a team that walked away from the session feeling inspired | Feelings | Testimonials, with permission |
The interview didn't capture a trigger, so that list stayed empty. I then gave the transcript to ChatGPT and asked for a sales page for the workshop, which came back built from the client's own language. Do that only after you've read the transcripts yourself, and check the draft still carries their phrases.
The ASK framework fails in four predictable ways, and most of them come from the owner talking when they should be listening.
Ask, record, and use their words as they said them.
The benchmark: three to five recorded conversations of fifteen minutes, the same five questions in the same order, and every transcript read together in one sitting and sorted into four lists.
Which of these have you taken on or put in place recently?
What's the one thing you can commit to implementing this week? If you're not sure, start here.
Write down the three to five clients you'd interview: the ones who came back, the ones in the market you want more of, and anyone who has referred you. Send the first one the email, with the subject line exactly as written.
One thing executed every week creates 50 strategic moves a year.
Questions like these come up regularly on our weekly Elite Boardroom calls. If you'd like someone to hold you to account each week, and to learn from a group of peers who run video businesses too, the Boardroom is for you.
Related tools and guides. How do I write the one line that says who I help?, How to choose a niche for your video business, The marketing asset you already have and keep ignoring, How to get more from referrals and networking, When one big client owns your video business.